Questions before you book

Yes. The Release Package combines mixing, mastering, and cover art in one workflow, which keeps the sonic and visual identity aligned while reducing the total cost compared to buying each part separately.

Every live cover on the site is offered as an exclusive release for $55. Once claimed, it is removed from the live wall and will not be offered again.

For mixing and mastering, I usually request 50% upfront to secure the booking, with the balance due on delivery. Cover art is secured outright through the site purchase flow. Each piece is sold once, then retired.

After the brief is clear, I'll send a secure upload link. Send your stems as labeled WAV files together with any reference tracks and notes about the direction you want.

Mixing is usually 5-7 business days. Mastering is usually 2-3 business days. Cover art from the live wall can be secured immediately. Each piece is sold once, then retired. Larger release packages are quoted with a clear timeline at the start.

Mixing includes balancing all individual tracks, EQ, compression, effects, and creating a cohesive stereo mix. When you add mastering, I deliver streaming-ready loudness, refined tone, and properly tagged files for final release.

Most mixing projects are completed within 5-7 business days. This includes the initial mix plus up to 3 rounds of revisions to ensure you're completely satisfied with the result.

Mixing and mastering include focused revision rounds to get the final result right. Cover art is sold as-is from the live wall — you see exactly what you're getting before checkout.

Atmospheric, electronic, ambient, and darker left-field material is the natural fit. But the same mixing and mastering discipline translates well to any release that needs focus, depth, and a strong final identity.

For Brisbane-based artists, in-person consults can be arranged where they genuinely help the project. Most work is still finished remotely for speed and consistency.

Yes. I'm based in Brisbane, Queensland, and work with both local artists and remote clients.

Yes. Remote collaboration makes it straightforward to work across Australia and internationally without slowing the project down.

Yes, for Brisbane-based artists when an in-person session adds value to the release. If you want that, mention it in your enquiry and I'll suggest the best path.

I primarily work in Ableton Live. The important part is the result, not locking you into one software ecosystem.

Yes. Stem mastering is available when the track needs more detailed control than a stereo master can provide. I quote that based on the number of stems and the complexity of the release.